Winter Perch
Winter Perch is a limited edition print or serigraph from 1987, with an edition size of only 50. This piece is a collaboration by Roy Henry Vickers, Tsimshian First Nations Artist from the Pacific Northwest Coast, as well as Ed Hill.
The following is quoted from Henry Vickers about this Print:
“How do two people do one painting? In the case of Ed Hill and myself, it was a simple matter of matching student with teacher: the teacher directing and demonstrating, and the student listening, watching and performing according to that direction.
The image of WINTER PERCH was first conceived by Ed. The rough sketches caught my imagination. Using my own style, I could see a fine finished piece and it would be a prime opportunity to teach that style to Ed in the process.
Ed’s final sketch showed far too much detail, and lines too sharp for my liking, so we agreed to change it by simplifying it. Branches were no longer just branches –they became the hiding place of eagles, cormorants and whales. The viewer fills out the eyes, beak and feathers of the eagle. Leaving much of the detail to the viewer's imaginative eye is a part of my style that I enjoy very much.
The final sketch was completed by myself and then Ed began painting the background ‘bleed run’ finished to both our satisfaction.
The last lesson, colour mixing, provided a point of argument for us, but as is proper, the teacher won out. We let the subtle grey work, allowing the viewer to fill in the detail. We let the snow pile high on the branch to provide highlight. There was no need for two tones on the branch-the mind’s eye would take care of that. These efforts gradually blended together, and Ed went to work to complete the painting.
Utilizing only four colours, sharp clean lines and depth created by the bleed run of the background. I had put all of my lessons into one work, and Ed had been an integral part of the entire process.
WINTER PERCH is more than a solitary eagle overseeing his snowy domain. The sketching, painting and printing of this piece is the result of two men collaborating-one teaching and one learning. It is affirmation for the teacher of his student’s work. It is also the kind of experience that has helped make two men the best of friends."
This serigraph is signed, numbered (44/50) and titled in original by the artists. The image size is about 21.5 inches or close to 55 centimeters wide and 14.5 inches or 37 centimeters high.
The print is framed and matted, is in good condition and has no visual imperfections. You might see some reflections in the glass. Personal viewing is recommended. We do not ship framed prints, since the danger of the glass damaging the print is too great. We will however ship the print without frame and matting.
Since this print will be featured in our Roy Henry Vickers Exhibition and Sale: 4 Decades of Inspiration from Aug. 4th - 18th 2018, shipping will be possible after Aug 18th.
The price includes shipping without the frame.
* Colours of artwork may not be exactly as seen on screen.
What is the best way to find out your ring size?
The best way to determine your ring size is to visit a local jeweler and have your finger professionally sized. Be sure to tell them the width of the ring you are ordering, as wider rings fit more snugly. For tapered rings, use the width at the back of the ring when determining your size.
For the most accurate fit, have your finger sized with a ring sizer that is the same width as the ring you are ordering. For example, measuring with a ¼ inch wide sizer for a 3/8 inch wide ring may result in a size difference of approximately ¼ to ½.
Can a ring be resized?
If a ring is slightly too tight or too loose and has no settings, inlays, or onlays, it may sometimes be possible to stretch or dome it slightly to adjust the fit. This should be done by a jeweler and often only takes a few minutes.
For larger adjustments, a jeweler will need to resize the ring by cutting the ring and adding or removing a small amount of metal, then soldering it back together. Many of our rings include a sizing gap at the back for this purpose.
Because every ring is different, we recommend consulting a professional jeweler before deciding on any resizing method.
| Inside diameter | Inside circumference | Sizes | |||||
|---|---|---|---|---|---|---|---|
| (in) | (mm) | (in) | (mm) | USA & Canada | UK & Europe | Asia | Swiss |
| 0.554 | 14.07 | 1.74 | 44.2 | 3 | F | 4 | 4.25 |
| 0.562 | 14.27 | 1.77 | 44.8 | 3¼ | F½ | 5 | 4.75 |
| 0.57 | 14.48 | 1.79 | 45.5 | 3½ | G | 5.5 | |
| 0.578 | 14.68 | 1.82 | 46.1 | 3¾ | G½ | 6 | 6 |
| 0.586 | 14.88 | 1.84 | 46.8 | 4 | H | 7 | 6.75 |
| 0.594 | 15.09 | 1.87 | 47.4 | 4¼ | H½ | 7.5 | |
| 0.602 | 15.29 | 1.89 | 48 | 4½ | I | 8 | 8 |
| 0.61 | 15.49 | 1.92 | 48.7 | 4¾ | J | 8.75 | |
| 0.618 | 15.7 | 1.94 | 49.3 | 5 | J½ | 9 | 9.25 |
| 0.626 | 15.9 | 1.97 | 50 | 5¼ | K | 10 | |
| 0.634 | 16.1 | 1.99 | 50.6 | 5½ | K½ | 10 | 10.5 |
| 0.642 | 16.31 | 2.02 | 51.2 | 5¾ | L | 11.25 | |
| 0.65 | 16.51 | 2.04 | 51.9 | 6 | L½ | 11 | 11.75 |
| 0.658 | 16.71 | 2.07 | 52.5 | 6¼ | M | 12 | 12.5 |
| 0.666 | 16.92 | 2.09 | 53.1 | 6½ | M½ | 13 | 13.25 |
| 0..674 | 17.12 | 2.12 | 53.8 | 6¾ | N | 13.75 | |
| 0.682 | 17.32 | 2.14 | 54.4 | 7 | N½ | 14 | 14.5 |
| 0.69 | 17.53 | 2.17 | 55.1 | 7¼ | O | 15 | |
| 0.698 | 17.73 | 2.19 | 55.7 | 7½ | O½ | 15 | 15.75 |
| 0.706 | 17.93 | 2.22 | 56.3 | 7 | P | 16.25 | |
| 0.714 | 18.14 | 2.24 | 57 | 8 | P½ | 16 | 17 |
| 0.722 | 18.34 | 2.27 | 57.6 | 8¼ | Q | 17.5 | |
| 0.73 | 18.54 | 2.29 | 58.3 | 8½ | Q½ | 17 | 18.25 |
| 0.738 | 18.75 | 2.32 | 58.9 | 8¾ | R | 19 | |
| 0.746 | 18.95 | 2.34 | 59.5 | 9 | R½ | 18 | 19.5 |
| 0.754 | 19.15 | 2.37 | 60.2 | 9¼ | S | 20.25 | |
| 0.762 | 19.35 | 2.39 | 60.8 | 9½ | S½ | 19 | 20.75 |
| 0.77 | 19.56 | 2.42 | 61.4 | 9¾ | T | 21.5 | |
| 0.778 | 19.76 | 2.44 | 62.1 | 10 | T½ | 20 | 22 |
| 0.786 | 19.96 | 2.47 | 62.7 | 10¼ | U | 21 | 22.75 |
| 0.794 | 20.17 | 2.49 | 63.4 | 10½ | U½ | 22 | 23.25 |
| 0.802 | 20.37 | 2.52 | 64 | 10¾ | V | 24 | |
| 0.81 | 20.57 | 2.54 | 64.6 | 11 | V½ | 23 | 24.75 |
| 0.818 | 20.78 | 2.57 | 65.3 | 11¼ | W | 25.25 | |
| 0.826 | 20.98 | 2.59 | 65.9 | 11½ | W½ | 24 | 26 |
| 0.834 | 21.18 | 2.62 | 66.6 | 11¾ | X | 26.5 | |
| 0.842 | 21.39 | 2.65 | 67.2 | 12 | X½ | 25 | 27.25 |
| 0.85 | 21.59 | 2.67 | 67.8 | 12¼ | Y | 27.75 | |
| 0.858 | 21.79 | 2.7 | 68.5 | 12½ | Z | 26 | 28.5 |
| 0.866 | 22 | 2.72 | 69.1 | 12¾ | Z½ | 29 | |
| 0.874 | 22.2 | 2.75 | 69.7 | 13 | 27 | 29.75 | |
| 0.882 | 22.4 | 2.77 | 70.4 | 13¼ | Z1 | 30.5 | |
| 0.89 | 22.61 | 2.8 | 71 | 13½ | 31 | ||
| 0.898 | 22.81 | 2.82 | 71.7 | 13¾ | Z2 | 31.75 | |
| 0.906 | 23.01 | 2.85 | 72.3 | 14 | Z3 | 32.25 | |
| 0.914 | 23.22 | 2.87 | 72.9 | 14¼ | 33 | ||
| 0.922 | 23.42 | 2.9 | 73.6 | 14½ | Z4 | 33.5 | |
| 0.93 | 23.62 | 2.92 | 74.2 | 14¾ | 34.25 | ||
| 0.938 | 23.83 | 2.95 | 74.8 | 15 | 34.75 | ||
| 0.946 | 24.03 | 2.97 | 75.5 | 15¼ | 35.5 | ||
| 0.954 | 24.23 | 3 | 76.1 | 15½ | 36.25 | ||
| 0.962 | 24.43 | 3.02 | 76.8 | 15¾ | 36.75 | ||
| 0.97 | 24.64 | 3.05 | 77.4 | 16 | 37.5 | ||
Depending on your wrist size and how wide you prefer the gap to be, our bracelets will generally fit a wrist circumference ¼" (0.5 cm) smaller to ½" (1.3 cm) larger than the posted bracelet length.
Please note: These measurements are estimates, and we cannot guarantee a perfect fit. If you have any questions about sizing, please contact us, and we will be happy to help.
Paddles can be hung vertically, horizontally, or at an angle, depending on your space and preference.
Vertical hanging: In the gallery, we tie a black cotton string around the neck of the paddle, just below the handle, and hang it from a rubber-coated hook to protect the back of the handle. The handle is positioned at the top, with the tip pointing down.
Horizontal or angled hanging: A paddle can be suspended from the wall or ceiling using clear fishing line. Simply loop two lengths of fishing line around the paddle, one near each end, to hold it securely in place.
Wall-mounted holder: Some museums use a custom-made holder lined with felt to hold the paddle securely against the wall. A metal fabricator can make a holder to suit your preferred orientation. This is not a service we offer.
If you have any questions, please email us at info@spiritsofthewestcoast.com.
Argillite is a dense, black, carbonaceous shale known as kwawhlahl in the Haida language. It is found exclusively at a creek on Slatechuck Mountain (Tllgaduu randlaay) on Graham Island, the largest island in the Haida Gwaii archipelago.
Once the stone is cut from the hillside, it must be backpacked down the mountain on foot before it is carved. Argillite carvings have been prized around the world since the 1800s when the Haida began selling pieces to sailors. Today, Haida carvers continue the tradition.
For those who wish to know more about this beautiful and unique sculptural tradition, Carol Sheehan's book 'Breathing Stone' is an excellent resource on contemporary Haida argillite carving and is available in the gallery.Please note, argillite is a fragile stone. Avoid knocking argillite against hard or sharp surfaces as it can scratch or chip. If handled with care, argillite pieces will be enjoyed for many years to come.
Abalone is a marine snail belonging to the family Haliotidae. Its common name comes from the Spanish terms aulón or aulone. Abalone is a distinctive shell that has long been valued for its iridescent colour and beauty.
For many First Nations peoples of the Northwest Coast, abalone is a valued material with cultural and ceremonial significance. It is often used to create objects of prestige and status, such as chiefs’ headdresses, bracelets, and earrings. Abalone shell is also used for intricate inlay designs, which can carry symbolic meaning.
Traditionally, abalone was obtained through trade with other coastal groups or by harvesting it from the rocky shores of the Pacific Northwest. The collection of abalone was considered a sacred activity by Indigenous peoples of the region.
In addition to its ceremonial and spiritual significance, abalone had practical uses. The meat was an important food source, while the shell was used to make tools such as knives, hooks, and needles.
Today, abalone continues to be an important part of Pacific Northwest Coast culture. Many Indigenous artists continue to work with abalone in contemporary art and cultural revitalization efforts. Abalone art and artifacts are also highly valued by collectors and museums.
Overfishing and poaching have reduced wild abalone populations significantly. Farmed abalone now supplies much of the abalone used commercially and provides a more sustainable option.
Jewelry containing abalone should be removed when showering. Avoid contact with soaps and chemicals, including polish, as they can dull the appearance of abalone.
Shipping Information
We ship internationally!
Free shipping on most items within Canada and the U.S.
The Shipping times mentioned below are estimates for orders that we have in our inventory and are not guaranteed . Shipping to the USA or other international locations may be delayed due to national customs organizations. These delays are not included in the shipping estimates mentioned and are out of our control.
If you have a specific shipping / delivery deadline, please call or email us, to make sure we have the item that you would like to order in stock.
Custom orders or orders for items that we don’t have in our inventory, or don’t have the exact size in stock, will take longer. It usually takes 2 – 4 weeks depending on the individual item and artist, to have individual items carved. Custom orders may take somewhat longer.
International Shipping - items may be subject to customs processing depending on the item's declared value.
Sellers set the item's declared value and must comply with customs declaration laws.
As the buyer, you should be aware of possible:
- delays from customs inspection.
- import duties and taxes which buyers must pay.
- brokerage fees payable at the point of delivery.
Your country's customs office can offer more details.
Regular Shipping:
We usually use Canada Post services without tracking information for our regular shipping option. The delivery standards for surface/air shipping are usually 2 - 9 business days (Canada), 5 - 12 business days (USA), 6 - 35 business days (Europe) and 6-35 business days to the other continents. If your shipping address is remote, delivery times may increase. These delivery standards are estimates and are not guaranteed.
Canada Post International Parcel Surface or Priority Worldwide Express Shipments:
If you would like to find a faster priority / express shipping service, than the ones mentioned in the shopping cart, or if shipping times are less important than the cost, please contact us for a custom shipping quote. Delivery dates mentioned below are approximations that do not include delays due to International Customs or unforeseen circumstances. The delivery standards for Priority™ Worldwide( Usually through FedEx ) are usually 2-3 business days (USA), 3-5 business days (Europe) and 4-6 business days to the other continents. The delivery standards for International Parcel Surface can be up to 7 weeks. If your shipping address is remote, delivery times may increase. These delivery standards are estimates and are not guaranteed.
Canada Post shipping services with tracking numbers can be tracked at the following website: http://www.canadapost.ca/cpotools/apps/track/personal/findByTrackNumber?execution=e1s1